2026
diptych, acrylic on canvas
12 in. × 12 in. (30 × 30 cm) (x2)
The Oneiro series (2024–present) asks: “Do I remember - Or did I dream?”
Here, place and memory blur, and location becomes indeterminate.
Across these recent bodies of work, painting becomes a way of returning—not to a literal place, but to an experience of being in place. The paintings exist as a “there” that is also here: layered, shifting, and continually reshaped through perception, feeling, and time.
2025
acrylic on canvas
12 in. × 12 in. (30 × 30 cm)
The Oneiro series (2024–present) asks: “Do I remember - Or did I dream?”
Here, place and memory blur, and location becomes indeterminate.
Across these recent bodies of work, painting becomes a way of returning—not to a literal place, but to an experience of being in place. The paintings exist as a “there” that is also here: layered, shifting, and continually reshaped through perception, feeling, and time.
2025
diptych, acrylic on canvas
12 in. × 12 in. (30 × 30 cm) (x2)
The Oneiro series (2024–present) asks: “Do I remember - Or did I dream?”
Here, place and memory blur, and location becomes indeterminate.
Across these recent bodies of work, painting becomes a way of returning—not to a literal place, but to an experience of being in place. The paintings exist as a “there” that is also here: layered, shifting, and continually reshaped through perception, feeling, and time.
2025
acrylic on canvas
12 in. × 12 in. (30 × 30 cm)
The Oneiro series (2024–present) asks: “Do I remember - Or did I dream?”
Here, place and memory blur, and location becomes indeterminate.
Across these recent bodies of work, painting becomes a way of returning—not to a literal place, but to an experience of being in place. The paintings exist as a “there” that is also here: layered, shifting, and continually reshaped through perception, feeling, and time.
2025
diptych, acrylic on canvas
12 in. × 12 in. (30 × 30 cm) (x2)
The Oneiro series (2024–present) asks: “Do I remember - Or did I dream?”
Here, place and memory blur, and location becomes indeterminate.
Across these recent bodies of work, painting becomes a way of returning—not to a literal place, but to an experience of being in place. The paintings exist as a “there” that is also here: layered, shifting, and continually reshaped through perception, feeling, and time.
2025
acrylic on canvas
12 in. × 12 in. (30 × 30 cm)
The Oneiro series (2024–present) asks: “Do I remember - Or did I dream?”
Here, place and memory blur, and location becomes indeterminate.
Across these recent bodies of work, painting becomes a way of returning—not to a literal place, but to an experience of being in place. The paintings exist as a “there” that is also here: layered, shifting, and continually reshaped through perception, feeling, and time.
2025
diptych, acrylic on canvas
12 in. × 12 in. (30 × 30 cm) (x2)
The Oneiro series (2024–present) asks: “Do I remember - Or did I dream?”
Here, place and memory blur, and location becomes indeterminate.
Across these recent bodies of work, painting becomes a way of returning—not to a literal place, but to an experience of being in place. The paintings exist as a “there” that is also here: layered, shifting, and continually reshaped through perception, feeling, and time.
2024
acrylic on canvas
12 × 12 in. (30 × 30 cm) (x4)
2023
acrylic on canvas
12 x 12 in. x2 (30.5 x 30.5 cm x 2)
